DON GIOVANNI
Seduced, enraged, united...
»In a post-apocalyptic world, humour is still present«
»Jeremy Carpenter looks like a slob, but he preforms the most beautiful pianissimi when he sings«
»Nicole Cabell's Donna Anna sings the mournful aria of the second act with a rich, full-bodied soprano voice«
»Mårten Forslund delivers, with a large dose of humour and an excellent ensemble of experienced Mozart interpreters«
»Ola Eliasson performs a brilliant catalogue aria«
»Latvian tenor find Mihail Culpajev's (makes a) shimmering representation of Don Ottavio's love«
»Conductor Nil Vendetti, an energetic fire-cracker, leads the Royal Swedish Orchestra with a lively joy of playing«
Music
Wolfgang Amadeus Mozart
Libretto
Lorenzo da Ponte
Conductor
Nil Venditti
Directorial concept
Michael Cavanagh
Director
Mårten Forslund
Set design
Erhard Rom
Costume design
Mattie Ullrich
Light
Mikael Kratt
Video
Nils Fridén
Fight director
Kimmo Rajala
Choreographer
Joakim Stephenson
Dramaturge
Katarina Aronsson
Language
Sung in Italian, with Swedish surtitles.
Running time
Approx. 3 hours 20 minutes incl. interval.
Mozart's beloved opera DON GIOVANNI in a new version at the Royal Swedish Opera
Who is Don Giovanni, the man who expresses neither shame nor regret? Is he a charming womanizer, brazen libertine, tragic narcissist – or something infinitely worse? In this new production he is a dangerous force, the embodiment of every evil that exists in the world. For how would life and the world be if people acted without caring about the consequences? And what happens when those exploited have had enough?
Don Giovanni is among the great opera classics with new versions constantly appearing. The vision on which this production of the opera is based is a dystopic future, a battered post-apocalyptic world. Perhaps the protagonist is not only going to hell, maybe that’s where he came from?
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